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Shogun Review: This gripping historical epic is one of the best shows of the year | web series

Revisiting and updating one of the definitive ’80s shows is no mean feat. A new ten-episode limited series, Shōgun , based on James Clavell’s acclaimed novel, attempts this with great ambition and technique. At its center is the story of a 17th-century English sailor who became a samurai in feudal Japan. Created by Rachel Kondo and Justin Marks, the show chooses to retell this tale in an overarching way, encompassing both external and internal conflicts, while guiding viewers through trade and honor, love and faith, politics and war. (Also read: Shogun creators on need to adapt book for this generation: ‘Where did we get it so wrong over the years’)

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Hiroyuki Sanada in Shogun’s Katorgi.

The intrigue begins when English pilot John Blackthorne (Cosmo Jarvis) lands on the coast of Japan. Considered a hostile savage, he is quickly shown his position there by urinating on his head. Along with the rest of the crew, Blackthorn submits to the whims of the local leader, but is urgently called to report to Lord Toranaga (a stunning performance from Hiroyuki Sanada, who also co-produces the show), where he realizes the crisis in the region. He also sees how many Protestant Catholics gained power during the council as a translator.

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A larger crisis follows the death of Japan’s ruler Taiko, leaving behind a childish heir who is already old enough to wrest control. She finds an unlikely ally in John, and together this complex element of trust and agency forms the core of this utterly dreamy epic, which captivates the audience with exquisite attention to period detail and finely tuned performances. Also look out for the entrance of a certain Lady Ochiba (Fumi Nikaido), whose presence adds complexity and intrigue to the show.

what works

With such a vast tapestry, Shogun does justice by allowing room for shifting perspectives and revelations, but smartly balances the tonal shift in prioritizing more internal dynamics. The subplot involving Toda Mariko (Anna Sawai) who is hired as Anjin’s translator pays off a little too predictably, considering, but it’s still excellently written. Sawai brings tremendous control and composure to his scenes, moving perfectly through the complex areas of the unfolding narrative. He is the real breakout star of the show. As Blackthorne, Cosmo Jarvis gives a career-best performance – intricately carving out his character, often conveyed only by wordless glances.

A score by composers Nick Chuba, Leopold Ross and Atticus Ross adds texture and noise to the dialogue-heavy proceedings. Cinematographers Sam McCurdy and Marc Laliberte capture many of the scenes in close-ups, and also make room for spectacular wide-angle sequences where the drama just needs to be handled. The effect is convincing.

final thoughts

The most crucial and exciting aspect of this adaptation is the expanded reach of its perspective, where the story provides an appetite for subtext and communication. Where contrasts do not reinforce ‘otherness’, but make room for the fluid persistence of truth. Shōgun is a prestige drama done right that simultaneously aims to be one of the truest revelations of the year. It promises spectacle with sophistication, grandeur with intimacy. The Shogun has all the elements to become an instant sensation that serves as a spacious and immersive watch.

Shōgun is available to stream on Disney+ Hotstar.

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