Top 10 Hindi Movies of 2023

It was a fruitful year for Hindi cinema, with theaters opening one after another, the Badshah of Bollywood making a comeback and several films registering unprecedented box office success.

2023 felt like a renaissance for Hindi cinema. Posting deplorable numbers in 2022, continuing coronavirus fears, growing influence of OTT and overall decline in quality have declared the end of theatrical viewership for Hindi films. Hope rested with those who had done it before. And when Shah Rukh Khan returned to the film industry, the Badshahs of Bollywood stepped up. pathan To blow open a door that at one point seemed to be closing.

While the quality of films on offer may have varied, distributed between OTT and theaters, the year saw some notable films, performances, and upkeep of the vital organs of our existence. It produced an overall promising work for expansion. Below is a list of the 10 best Hindi movies of the year. In no particular order.

Also Read: Pattern Writer Shridhar Raghavan: There are few people as charming and interesting as Shah Rukh Khan.Taking advantage of its strengths

Gulmohar

Not only did Gulmohar It has a great cast, including a returning Sharmila Tagore and the always likeable Amol Palekar, but it also highlights the urban anxieties and turf wars that are unfolding right under the noses of India’s joint families. Graceful, elegant, and moving, it was a touching little film about family bonds and the inheritance of loss. As expected, the event also featured Manoj Bajpayee’s one of his many scene-stealing performances this year.

Last Stories 2 (The Mirror)

It’s ironic that a short film has managed to slip into the list of feature films, but the influence of director Konkona Sen Sharma’s The Mirror has been so great. A provocative, insightful and perhaps groundbreaking film in the context of joy, dignity and the female gaze. Tillotama Chaumet and Amruta Subhash are extraordinarily brilliant, and it was undoubtedly the boldest and most subversive film of the year.

Talulah

contrary to story of desire, Talulah This is a simple underdog story. As a biopic, the film largely unfolds in safe territory, but what makes it homey and comforting is the way the real-life story is treated with warmth and humility. The height of TV stardom feels serendipitous, the victories half-hearted but satisfying. The real journey here takes place between her wife and her doting and supportive husband. Huma Qureshi and Sharib Hashmi do a great job playing straight-laced characters who seem to have come straight from a middle-class kitchen.

Rocky Orr Rani Ki Prem Kahani

The death of this epic romance has been pronounced many times over the last few years, and despite the acting prowess of its star cast, even Karan Johar looked weak and nervous when faced with sweeping inferences. . I can no longer let the idea of ​​falling in love make me fall in love. Dzhokhar has not only succeeded in reviving the genre he dominated 20 years ago, but has given it complex and progressive updates. More than Ranveer and Alia, it was the unexpected chemistry between Dharmendra and Shabana Azmi that stole the show. It all felt grand and silly and vowed with the clarity of a teardrop. Exactly what we were missing.

OMG2

It’s refreshing to at least be able to include Akshay Kumar’s films in the best-of list. Despite his efforts, this prolific actor has produced one failure after another. Ironically, his cavalier, groovy mannerisms came to the fore in films where he literally played God.but OMG2 This success is thanks to the believable Pankaj Tripathi and the courage of the creators to mainstream what is widely considered taboo: sex education. Despite the film’s flaws, it needs more.

Jawan

This list can include any Shah Rukh Khan movie of the year (including anything) Danki throw it at us). Or even his hilarious and fun Twitter sessions. The man is a big hit in everything he does.meanwhile pathan Although he was a clever action actor portraying a stylish patriot, jawan It effectively blew the lid off Khan’s stardom. This brash, notoriously macho man we’ve never seen before looked precocious, like a new incarnation. He is as sexy and seductive as ever. It was the kind of movie you could only experience in theaters, where people surrendered to its whimsy and selective benevolence.

12th failure

Vidhu Vinod Chopra is back on screen with a film that received little fanfare but offered a fresh template for underdog stories. Vikrant Massey is phenomenal in this film, refusing to succumb to the triggering elements of a penniless-to-riches story, playing a somewhat serious man with nothing to fall back on except his desperation to get somewhere. It just went through a tragic arc. It’s definitely one of the acting, and perhaps directorial, performances of the year.

the three of us

Avinash Arun’s gloomy and melancholy walk down memory lane is quietly moving and will remain in your memory forever. Arun has mastered the art of silence, and here he takes us on the solemn journey of a woman who revisits the town where she buried a part of herself, in an act of enlightenment for what she no longer remembers. to go. This film is devoid of any common slang or small talk, and unfolds in the silence of many images. Shefali Shah, Jaideep Ahlawat and Swanand Kirkeer all give performances worthy of their pedigree in what is arguably the best-looking film of the year.

animal

Hold your horse tight! animal Not everyone is full of madness and provocation. There are some parts that are over the top, just to hurt some critics, but it’s seriously one of the best performances of the year. Ranbir Kapoor transforms from a tough guy to a madman in this film, throwing punches in places you wouldn’t think possible in a movie theater. Sandeep Reddy Vanga is not a boring film director even though he is rightly appreciated and analyzed.

Joram

Director Devashish Makhija’s latest film is a familiar tale of a cop chasing a criminal, but here the sense of victimhood is distributed not by intent but by identity. Those who impose the law seem even more devastated than those who are condemned by it. It’s one of the most political films of the year, and its cinematography and direction are surprisingly pure and immersive. It has another expected feature – his Manoj Bajpayee performance at the top of the line. But the fine actors are helped here by a great cast, including the equally wonderful Mohd Zeeshan Ayyub.

Honorable mention: Zwigat, Qatar, Fari