‘The Killer’ Movie Review: David Fincher’s new Netflix movie is more monotonous than dangerous | Movie Review News
Detail-oriented, calm, and obsessed with the monotony of life, David Fincher’s The Killer is assassin movie What was “All President’s Men” for a movie about journalism? Or at least pretend like that for a few minutes, then drop the ball on purpose and spend an hour and a half in the rafters wondering why the sport was invented in the first place.
of Netflix The first act of this thriller is devoted almost entirely to a single sequence, in which the titular hitman stakes out a Parisian hotel over several days, preparing to kill an unsuspecting middle-aged man. That is what it is. “If you can’t stand boredom, this isn’t the job for you,” he says, as if he were giving a seminar, or worse, a sermon. For most of his 20 minutes, all he’s killing time is time.
The killer, played by Michael Fassbender, is often indistinguishable from the statues he ignores in hotel lobbies, and his name remains vague throughout the film. His wall-to-wall narration borders on parody, which is precisely what distinguishes him from the protagonists of Jean-Pierre Melville’s The Samurai and Nicolas Winding Refn’s Drive. be. Like them, killers live by a set of rules. Never improvise, follow a plan, etc. It would be dry if it weren’t for Fincher’s unexpectedly comical presentation of the material.
For example, several scenes in the film unfold against the backdrop of Morrissey’s gentle voice, creating a kind of contrast with the emotional coldness of the killer, which the director seems to find very funny. . Meanwhile, the background score by his regular collaborators Trent Reznor and Atticus Ross is mostly a collection of guttural sounds in the name of music. Remember when he employed similar dramatic irony in The Girl with the Dragon Tattoo, when he made the notoriously obnoxious Lisbeth Salander a fan of Happy Meals? It’s all so strange.
In response to his past work, Fincher’s fascination with murderers has been as popular as his reputation as a methodical master of his craft. “The Killer” reunites him with “SE7” screenwriter Andrew Kevin Walker. This is their joint project to unravel the ironies of the past and investigate whether they are worth it. “Forbidden empathy, empathy is weakness, weakness is vulnerability” are some of the mantras killers tell themselves (and us) before going to work. The reason he has been able to survive this long is because he always maintains a calm sense of distance. For example, he equates a McDonald’s meal with “10 grams of protein for 1 euro”. On the other hand, he sees people as walking, talking bags of meat. But for all its posturing, the killer often acts like someone else. I know They’re in an assassin movie. He is often at an emotional crossroads.
The plot begins to move only after he fails a job, seemingly for the first time in his life. and begins a murderous rampage against three mediocre characters who have come to see him as loose ends that need to be tightened. One of them plays tilda swinton It’s a scene so misleading that I almost want to slap myself for letting Fincher play it so easily. At this stage in the film, he knows that one will be searching to find some meaning in the emptiness of it all, and no one does a more cynical subversion than he does.
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“It’s amazing how much energy you can spend doing nothing,” he says as he does some vigorous yoga in the ruins and takes a nap next to an electric stove. we work, Google Chrome’s incognito mode icon appears to have come to life. There are references to other companies such as Amazon, but as with The Smiths soundtrack, any attempt to decipher the meaning behind this will be a shot in the dark at best. Perhaps this is Fincher’s way of emphasizing how accessible the tools of murder and subterfuge actually are to the kinds of people who sell them?
But unlike most other movies whose stories are too short, The Killer isn’t like that at all. Encourages self-reflection and analysis. This movie treats you, the viewer, with exactly the same emotional distance that its protagonist treats the world. It’s puzzling why Fincher, who should be able to do whatever he wants at this stage in his career, would dedicate his time to something so trivial. As always, his direction is flawless, but ultimately The Killer is a meaningless movie about the meaninglessness of existence, and not what most viewers want from a clever assassination thriller. Maybe not.
killer
director – David Fincher
cast – Michael Fassbender, Tilda Swinton, Arliss Howard, Charles Parnell
evaluation – 3.5/5
(Tag Translation) The Killer
